When the boy with the green eyes comes looking for my body, I let him.
He is absent-minded hands upon the soft curves of my flesh; he takes in
the body but not the girl and I pretend it is enough for I am desperate to
believe these crumbs he offers will sustain my malnourished bones until
I know what it feels like to be loved and not just settled for.
Frantic he will leave before I can convince him to stay, I turn my body
into a war-zone; torture it, starve it, persecute it for every morsel it
consumes and for every proportion of this womanly mass that does not
shrink from the underskirts of my skin and if my body is the only currency
of which I have to saddle his pockets then I will punish it into flawless
compliance and maybe then it will no longer be her name that rises and falls
with every breath he kisses into my lungs; rife with the taste of her memory
which he cannot drown beneath the sinkholes of his eyes where I am too
afraid to swim. My body fades until all that encases these organs is the
corpse-like skin of a hollow beggar and it weeps its song of victory,
“Please stay, please stay, please stay,” but still, he does not know the sound
of my name on his tongue and my heart becomes a wasteland as vacant as the
hollows of my cheeks but I tell myself this is love because even though his laces
are tied he has not yet left and I am still cleaning the mess from the ones who
came before and slit my wrists with the sharp edge of their goodbyes; whose
blood of abandonment I used to finger-paint the words of my story upon the
walls of my house when I needed to remind my heart of what it had not yet
learned: Everyone you love, leaves. But hope is a diehard weapon and though
his finger rests on the trigger I convince myself he will be
the restoration not the destruction;
the healing, and not the wound.
Love is rarely more than a fatal blow
we never see coming.
When the boy with the green eyes no longer comes looking for my body,
I write a new story upon the walls of my house:
Leave first, before they leave you.